You can even soften the mask with the soft edge control or turn the mask into a double poly to control just the precise softness of a single edge at a time. To mask, you add a polygon tool and click and draw around one-half of the frame that you want to reveal (or conceal). Rinse and repeat on both move shots with their own point tracker node tool. Next, make sure you set your timeline resolution to your clip resolution, and then you can right-click your shots to create a new Fusion Clip. You can enable or disable the top layer with D on the keyboard or use the crop tool in the viewer. Start on the edit page by picking out your favorite ranges and stacking them up on top of each other. So let's dive into how it works, specifically on the Fusion page of DaVinci Resolve. Compressing and expanding time by just a few frames can make all the difference if your audience laughs or cries.Īnd there probably isn't a popular show or movie that doesn't use this editing trick. Well, a split composite gives you the freedom to change reaction and interaction times for every pixel on the screen. In fact, not only does it let you pick the best performances for each actor or even a specific actor's body part, but you already know editing is all about timing and pacing. I'm showing you today the invisible art of masking and combining actors' best performances into a single hero shot to help tell the best story. Now, the goal of this split composite Technique isn't to highlight some fancy Picture in Picture collage effect, so if that's what you're looking for, it will be in another tutorial. By using an invisible SPLIT SCREEN trick using Fusion in DaVinci Resolve. So today, I'll show you how to combine two shaky handheld shots that aren't even shot on a green screen. Or maybe they didn't even exist in the other take. Sometimes when you have two actors on screen, they don't have their best performance in the same take.
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